Futurism: Part Two

In part one, I talked about how the first colonists got off of the Earth and some of the reason’s behind it. In this post, I am going to talk about more specifics on how a corporation could make money sending people to space.

The first question the inevitably comes up is the extraordinary cost of getting anything into space. I’ll leave the politics out, but that basics of it is that it will cost approximately $10,000 per kg to send anything into Low Earth Orbit and approximately $30,000 per kg to send anything into Geosynchronous Orbit. Please note that LEO is anything around 160km to 2000km above the surface of the earth, while Geosynchronous Orbit is 35,786km above the surface of the earth. That means that it currently costs $75,000 to send an average human into LEO and 2.25 million to send one to Geosynchronous Orbit.

That price tag is huge. Impossibly huge. It is a huge barrier to human space exploration that it is what is holding everything back. It is not the risks to humans or the technologies that have to be devolved in order to make it work. It is money alone that is the barrier to space exploration and if anyone says otherwise, they are lying.

The biggest part of the cost to space exploration is the insane amount of fuel and material that it takes to get the cargo out of the gravity well of earth. The cost of moving cargo around the solar system is far cheaper. I am sure that you noticed the difference of moving cargo to Geosynchronous is only three times the cost for 17 times the distance.

A company can make a huge amount of profit by mining ice asteroids and providing the clean drinking water to the ISS. And that is only the tip of the iceberg for the amount of opportunities out there.

There are asteroids out there that are comprised of a large amount of rare earth metals. These metals are what make computers and modern life possible. But they are called rare earth metals because they are rare on earth. Out in space, however, they are not as rare as they are on earth. There is a nearby asteroid that has more platinum on it that has been mined from the earth since we knew of its existence.

That can be done by robots up to a point. At some point it becomes essential for humans to go and live in space. Only certain experiments can be done in a micro gravity and then there is the entire question of the asteroid of death issue that a multi-planet species will fix.

Once they get to space, human’s have a wide range of different needs that will need industries to meet. The best way to do that is to produce those goods in space. Where they don’t have to pay for the goods to be shipped out of the earth’s gravity well.

That means that the best way to develop long term space colony’s before we are able to build a space elevator is to cut the earth out of the equation for as many things as possible. No high prices of goods from Earth brings down the cost of living in space.

In my fictional world, that is what the corporations fight for and get. The ability to go space and the ability to ship materials back to Earth and to expect to make a profit of goods and services.

These corporations start by mining asteroids and building space stations in space. The develop Mars as a Space Colony and it is the private industry moving forward that prompts NASA to send a space mission cause heaven forbid a private industry getting to space before NASA.

That brings up a rather large amount of different issues as well, which will be talked about in a later blog post. Most of which aren’t a big deal in the grand scheme of things as the the story takes place in 2500 CE and not 2025 CE.

The story world changes from the time of the first explorers and settlers to the time of Des and the Jovian Empire. Just look at how life was like at 1525 CE to now in 2017 CE.

Next time I will go into more detail on what I think that brief history of what happens to each of the planets. Well, maybe one planet. We’ll see how it goes.

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Rambling: Encouraging others to write.

In many ways I am an enabler. I enjoy having others find enjoyment in things that I find enjoyment in. That I have passion in. I enjoy it so much that I don’t shut up about it.

I have been criticized for obsessing about my passions and my interests.

Is that criticism justified? Warranted?

Probably.

I know that I obsess over things. It is how I am able to write about my books. Fix my house. Go to work or get out of bed. By obsessing over things, I am able to focus on something long enough to see results in that avenue.

Even if I wish that I can hit the snooze button again and go back to sleep.

My obsessions is what gets me into trouble and out of trouble. (Like watching 18 hours of a game on Let’s play and then buying it for way too much money.) I obsess with keeping a roof over my kids heads, which makes me go to work and take Overtime hours. I obsess with my half completed house renovation so that I can keep getting things done in it. Maybe one day I will finish it. I also obsess about my writing.

My writing is my passion in life. They say follow your passion and this is it.

Writing.

Writing novels, writing for my kids, writing for the complete stranger so he gets a kick out of my work. Every day I spend most of the hours thinking about some story. How to fix it, how to make it better, where to go with it. Or a new story idea that will distract me from my current work in progresses.

At the beginning, I said that I am an enabler.

What does that mean? Most people think of it as a bad thing. That I am a bad guy for encouraging someone to do something. And it can be. If I was a drug addict or a drunk.

But I am not. I cannot afford to do those things. I am a writer after all…

I enable people to follow there passions. Follow there enjoyments even if it is just as a hobby and part-time. Even if they only dabble and are not serious about completing it. I do, however, mainly encourage people to write books. Read above about my obsession.

And you may ask why? Why enable people to write books?

The answer to that question is selfish. I do it cause it is lonely over here in writing land by myself. Writing is considered a solitary affair. You sit in a room by yourself writing about make-believe people in make-believe lands doing impossible and crazy things. With no one to talk to but the people in your head…

I just realized how crazy that makes me sound…

Anyways, writing is mostly solitary. But there are times when a writer must talk to other people. Other writers. It gives encouragement and it can make you responsible for getting the work done. (Like trying to explain why your word count hasn’t moved in two weeks, but look at what you have done in that game you play.) It also helps you grow as a writer as you can learn from other people. Learn from there failures as well as there successes.

I encourage people to write as there is a lack of a strong writing community where I live and the only writers that I talk is through a Facebook group. Most are from the U.S. and I will probably never meet in person. I hope that by encouraging people to write that I can build a small writing community of my own.

Or I am a crazy obsessive compulsive who can’t stop shutting up about my make-believe characters in my make-believe world who all live in my head. You decide.

Productivity

I have a dream. (Enter rest of song from Tangled here.)

Anyways. My 5 year goal consists of me making my living from writing novels and other creative pursuits. To do that I have a plan. And you have to have a plan. There is no way to get a to a goal other than to have a plan.

So what is my plan.

Easy.

Well. Kinda.

It is to be able to write six novels a year. That means writing everyday. No stopping. No days off. No fun.

Kidding. Kinda. Days off are fine. As long as the work gets done. As long as the projects get completed and published.

The way to do that is to vary the length of the projects. I have ideas for longer works as well as shorter works. By varying lengths I am able to complete more publishable works than if  I did one long work. Writing a 500k word novel is good if your last name is Sanderson and have huge advances to keep fed.

Me, however, I don’t get huge advances. I don’t have the capability of writing those long works. I also feel that the market for indie books is not for the doorstops. The people that buy indie books want smaller fiction that costs less and that they are able to get through faster.

So that means pulling back the scope of the books from 150k novels to 70k novels and making two novels. I also want to write even shorter length works. I like writing my 6 yr old middle grade sci fi book.

What does this mean?

That means that I must be writing for half the year. I must be be editing novels for the other half of the year. I must be writing between 1ooo to 3000 words a day. This is assuming that my editing takes half the time. If I can get my editing time down that means that I can spread the writing out between other days.

How do you do that?

Cleaner first drafts. Do I mean less spelling mistakes? Kinda. I mean less developmental edits. I mean that I am going to have to do more outlining. I have to plan my stories. Plan the work better. Get the story right the first time.

But this is not an over night thing. It will take time to build up to that. It will take time to get the productivity up to a point where I am writing enough. I do, however, have planned projects to get me to that part.

That is 4 projects under development. The 4 projects is translated into multiple planned novels. I have one current stand alone being beta read. One trilogy with the first novel being edited. My middle grade has the first book out of six being edited. The last project is a pair of novels. I might change it to a trilogy by cutting the same length of book into three parts.

But I will have to figure out how to add a projected 50k words into the ‘first’ part of the project. My wife says that I need to take a page out of the TV version of game of thrones. Add more sex scenes. I am not sure if she is joking or not…

That means that if I get the current projects completed that I will have thirteen novels. If I can get that done it will be amazing.

But this brings up the question of the night. How can writing and publishing works regularly mean that I can eventually quit my day job and write novels for a job?

By writing and publishing work, on Amazon, builds up a library of work that people can buy. As more books are published, means that more people will see the books and buy the books. They may go back and buy other books in your library. People do that.

Well. I rambled enough. More later.

Cheers.

Nathan Pedde

Outline vs Discovery Writing: The Battle Continues

It is time to enter the battle. The epic battle between Outliners and Discovery Writers.

Both sides are frothing at the mouth and ready to fight it out. Ink will fly. Paper will ripe.

Okay that metaphor died on arrival.

My thoughts on Outliners and Discovery writers. Notice that I called it Discovery Writing and not Pantsers. I find that the term Pantsers doesn’t do the writing method justice. I think that it is a little bit of a low blow in the epic fight.

Well. It makes you think that you have no idea what you are doing. That you are just winging it and have no idea what you are doing. That your inability to want to create an outline means that you are somehow incompetent in writing.

The discovery writers, however, don’t like to feel confined in an outline. They don’t want to miss the spontaniousness that comes with discovery writing.

What does this mean for me and my opinion in this issue? I see the good in both sides of the argument.

Outliners like to plan there stories. They go into the griddy details on what needs to happen and when. They look into the little pieces of info that a discovery writer may miss until the 2nd or 3rd draft. The are better at writing more complicated stories that involve multiple viewpoints or time frames.

Discovery Writers enjoy a certain spice in the stories that they write. A well written discovery written story feels more natural and tends to flow better. Discovery written books tend to have less view point characters or time frames.

They both have issues and the issues with the methods need to be mentioned too.

Outlined stories can be stale and the characters may have a motivational problems. It is usually when the story makes a left when the outline goes right. Or that the outline says that a character must do something that the written story doesn’t allow for.

The problems with discovery written books is simple. Plot holes. As the author doesn’t have a plan on what is happening, there can be un-foreshadowed scenes, and plot holes through out the story. Discovery written stories tend to need more revisions that there counterpart.

So what do I do?

It depends on the story. I do both.

I will leave a pause for the reader to freak out at the political statement.

Done?

Good.

I write both. as it depends on the story. I have written some where I have done complete outlines to them. I have written others where I Discovery Wrote it. I have done some where I have gotten part way through a Discovery Written book to discover that I had gotten lost and I need to outline my way out of the mess that I was in.

What was better? It depends.

The Outlined one was a collaboration with my 6 yr old and we did an outline as it is his story that I am writing. He just have the grammar of a six year old.

The Discovery written one was a NaNoWriMo challenge that I didn’t have enough time to get an outline done, but I had a fairly good idea on where I was going. The one that I needed to outline my way out of it was that I was writing a book, then I decided that the backstory was just as entertaining as the story and needed to be part of the story.

My conclusion. Don’t worry about how you write the book. Just write it. Decide how you want to write it and get those words on a page. getting word count every day is much more important than worrying about how you are writing it.

Until next time.

Nathan Pedde

Ramblings: 6 ways being Anxious about your Novel is incorrect.

Everyone feels anxiety. I comes to each of us differently. Some of us feel scared by circumstances. The fear of the unknown is very common to a lot of people. Change does too. All of this can cause anxiety. When you know change is coming, but you are unsure how it is going to change things or how you are going to be able to enact that change.

How you overcome that anxiety says a lot about your character. Some people can handle it better than others. Some can roll with the situation, while others get chocked up by it.

Now, don’t get me wrong. I don’t judge people that have anxiety issues. I have them too. I get anxious about the unknown and change. I have to plan and then plan some more. I talk able the different options that are available. I do research on options that may or may not be possible. It is how I handle my anxiety.

The important thing to do is to recognize that you have a problem and to figure out a way to overcome that problem. Which is a tall order. I understand.

What brought this one?

I am apart of a couple Facebook writing groups and there was one guy on the site that had a friend that was holding an idea of hers to her chest and wouldn’t tell many people about it from fear that it will be stolen.

I understand that mentality. I was there at one point in my writing life. At the time I was suffering bad from anxiety and fear. I felt self-conscious that my writing was no good and if someone were to read my work that they would ridicule me and tell me that my writing was no good. I though that if they heard my idea that they would take it , use it, there work would be better than mine and then they would get all the glory for such a wonderful idea that I had come up with.

There is a couple problems with that concept.

First. Ideas aren’t copy-writable. Anyone can write an novel with any idea out there and it is fine. It is the execution that is copy-writable.

Second. In order to get your work better, the work needs to get read by someone that you don’t know. Someone that will be honest and tell you more than it is good. You need to suck it up, and hear the things that you may not want to hear about your project. Sometimes the truth hurts.

Third. By reaching to fear in this defensive way, you are letting the anxiety control you. Anxiety is not the boss. You are.Fear needs to be confronted and overcome. Libraries worth of books are written on this subject.

Four. Beginning writers always suck. Period. Writing is hard. Drawing is hard. Graphic design is hard. Any creative pursuits worth going after is hard. It takes hours and hours of work to be able to get your art to an advanced level. Refer to my blog post about my full opinion on the word talent. Here is a link. https://napedde.wordpress.com/2017/03/10/ranblings-anxieties-readers-and-talent/

Five. Nothing is original. All stories, movies, art has been done before and will be done may times after you are done. It is a fact of the creative life. You can’t get away from it. Avatar is from Pocahontas and the story of Moses. Star wars is a heroes journey. Like Lord of the Rings. The Hobbit was a take on the Authurian legend.

Six. If you disagree with me about the no ideas point. Look at this. We are being surrounded and pummeled to death with media. Youtube, radio, tv, movies. Everything that we get bombarded by can potentially inspire us. You read the news about a heist. Two years later you are writing a novel about one, that has been inspired by it. For those that are creatively minded, these ideas sink into our psyche to resonate until we can use them. They are there underneath the surface. Waiting to strike. They are not original. Sometimes the ideas that you get are cliche and bad. But that is a story for next time.

 

Late night blurb: Work stopages

So every writer experiences this. Times when it is hard to get any word count down. Times when it feels like you are trying to squeeze water out of a sponge. Well, today was one of those days.

I still managed to get 500 words on my Space Courier book and I edited 30 pages of my Culture Shock book. Not bad for a night that I managed to get writing at 10pm.

What happened?

At 6pm, for some reason I got grumpy. I am not sure 100% why, but I did. Maybe it was my two kids not listening, or maybe the house was too hot. But then once I got grumpy, I stayed grumpy cause I was grumpy that I had gotten grumpy in the first place. Not a good cycle to be in. Once I was grumpy, I couldn’t write. I was too grumpy.

How did I get out of it?

I relaxed. I stopped worrying about writing down words. I had a snack, some tea. And then I managed to pick up work once more.

Was it that easy?

No. I also decided that I wasn’t going to be grumpy anymore. I made a choice in my mind and then I made it happen. I took back control of emotions and I went with it.

Will this work for you?

Maybe. The big thing to remember is to remind yourself that you are the boss of your emotions. Not the other way around. You get angry when you need to be and you are inspired when you need to be. Sometimes really strong emotions, like anger, will interrupt you and take you for a ride. They will run wild and not let you off.

As an adult and a productive creativeblo person, it is up to you to take control. Figure out what sends you into those grumpy spells and what makes you inspired. Then do more of it.

No one is going to write that book but you and if you don’t keep at it, then it won’t get done and we need that fiction. If you send it to me, I will beta read it and put a review on the website of your choice. Just saying.